Glorious ensembles in Dutch National Opera’s new Tannhäuser

Wagner: Tannhäuser

At Dutch National Opera, Amsterdam on the 6th of April, 2019

The unveiling of Dutch National Opera’s new Tannhäuser was a very good night for Wagner, chiefly thanks to the magnificent orchestra and chorus. Director Christof Loy offered an interesting take on the singing knight torn between carnal rapture with the goddess Venus and his socially acceptable love for Elisabeth, and there was some fine solo singing. But it was the spellbinding colours and three-dimensional splendour of the Netherlands Philharmonic Orchestra and the house chorus that swept one away.

Full review on Bachtrack.

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Probing Bernstein and MacMillan double bill in Amsterdam

Bernstein: Trouble in Tahiti

MacMillan: Clemency

De Meervaart Theatre, Amsterdam, 22 March 2018

JanProvoostAbrahamSarahAndTheAngel.jpg

Abraham, Sarah and the Angel (circa 1520) by Jan Provoost, Louvre Museum (public domain) via Wikimedia Commons

The Opera Forward Festival (OFF) in Amsterdam is about new things: new compositions, rediscovered works and new faces. This year’s program included a double bill produced by Dutch National Opera’s talent development wing. Leonard Bernstein’s portrait of a miserable marriage in affluent suburbia, Trouble in Tahiti, was the contrasting companion piece to James McMillan’s Clemency, a study of the sinister side of religious belief.

Full review on Opera Today.

 

 

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